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_c4708 _d4708 |
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| 001 | 17702350 | ||
| 003 | OSt | ||
| 005 | 20191204110706.0 | ||
| 008 | 130418s2013 nyua 001 0 eng d | ||
| 010 | _a 2013938260 | ||
| 016 | 7 |
_a016385540 _2Uk |
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| 020 | _a9781461467854 | ||
| 020 | _a1461467853 | ||
| 035 |
_a(OCoLC)863640203 _z(OCoLC)825741384 _z(OCoLC)825754591 |
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| 040 |
_aNYP _beng _cNYP _erda _dLLB _dYDXCP _dBTCTA _dUKMGB _dCDX _dSNK _dOCLCO _dOCLCF _dDLC |
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| 042 | _alccopycat | ||
| 050 | 0 | 0 |
_aML3805 _b.H32 2013 |
| 082 | 0 | 0 |
_a620.2 HAR _223 |
| 100 | 1 |
_aHartmann, William M., _eauthor. |
|
| 245 | 1 | 0 |
_aPrinciples of musical acoustics / _cWilliam M. Hartmann. |
| 264 | 1 |
_aNew York, NY : _bSpringer, _c[2013] |
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| 300 |
_axiv, 348 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 |
_aUndergraduate lecture notes in physics, _x2192-4791 |
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| 500 | _aIncludes index. | ||
| 505 | 0 | 0 |
_tSound, Music, and Science -- _tVibrations 1 -- _tVibrations 2 -- _tInstrumentation -- _tSound Waves -- _tWave Properties -- _tStanding Waves -- _tStanding Waves in Pipes -- _tFourier Analysis and Synthesis -- _tSound Intensity -- _tThe Auditory System -- _tLoudness Perception -- _tPitch -- _tLocalization of Sound -- _tSound Environments -- _tAudio Transducers -- _tDistortion and Noise -- _tAudio Systems -- _tLoudspeakers -- _tDigital Audio -- _tBroadcasting -- _tSpeech -- _tBrass Musical Instruments -- _tWoodwind Instruments -- _tString Instruments -- _tPercussion Instruments -- _tElectronic Music. |
| 520 | _aPrinciples of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices. | ||
| 650 | 0 |
_aMusic _xAcoustics and physics. |
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| 830 | 0 | _aUndergraduate lecture notes in physics. | |
| 856 | 4 | 0 |
_3SpringerLink _uhttp://dx.doi.org/10.1007/978-1-4614-6786-1 |
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy1410/2013938260-d.html |
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy1410/2013938260-b.html |
| 856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy1410/2013938260-t.html |
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