000			03909cam a22003498i 4500
999			_c3347 _d3347
001			20337171
003			OSt
005			20200211101318.0
008			180202s2018 enk b 001 0 eng
010			_a 2018004726
020			_a9781138632585
020			_a
040			_aDLC _beng _erda _cDLC
042			_apcc
050	0	0	_aBF251 _b.P57 2018
082	0	0	_a612.85 PLA _223
100	1		_aPlack, Christopher J., _eauthor.
245	1	4	_aThe sense of hearing / _cChristopher J. Plack.
250			_aThird edition.
263			_a1807
264		1	_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2018.
300			_a329 pages ; _b23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505			_a INTRODUCTION 1.1 Why Study Hearing? 1.2 About This Book 2 THE NATURE OF SOUND 2.1 What Is Sound? 2.2 A Tone for Your Sins 2.3 The Spectrum 2.4 Complex Tones and Noise 2.5 Modulated Waveforms 2.6 Summary 2.7 Reading 3 PRODUCTION, PROPAGATION, AND PROCESSING 3.1 Sound Sources and Resonance 3.2 Propagation 3.3 Signal Processing 3.4 Digital Signals 3.5 Summary 3.6 Reading 4 A JOURNEY THROUGH THE AUDITORY SYSTEM 4.1 From Air to Ear 4.2 The Cochlea 4.3 Transduction 4.4 The Auditory Nerve 4.5 From Ear to Brain (and Back) 4.6 Summary 4.7 Reading 5 FREQUENCY SELECTIVITY 5.1 The Importance of Frequency Selectivity 5.2 Frequency Selectivity on the Basilar Membrane 5.3 Neural Frequency Selectivity 5.4 Psychophysical Measurements 5.5 Summary 5.6 Reading 6 LOUDNESS AND INTENSITY CODING 6.1 The Dynamic Range of Hearing 6.2 Loudness 6.3 How Is Sound Intensity Represented in the Auditory Nervous System? 6.4 Comparisons Across Frequency and Across Time 6.5 Summary 6.6 Reading 7 PITCH AND PERIODICITY CODING 7.1 Pitch 7.2 How Is Periodicity Represented? 7.3 How Is Periodicity Extracted? 7.4 Summary 7.5 Reading 8 HEARING OVER TIME 8.1 Temporal Resolution 8.2 The Perception of Modulation 8.3 Combining Information Over Time 8.4 Summary 8.5 Reading 9 SPATIAL HEARING 9.1 Using Two Ears 9.2 Escape from the Cone of Confusion 9.3 Judging Distance 9.4 Reflections and the Perception of Space 9.5 Summary 9.6 Reading 10 THE AUDITORY SCENE 10.1 Principles of Perceptual Organization 10.2 Simultaneous Grouping 10.3 Sequential Grouping 10.4 Summary 10.5 Reading 11 SPEECH 11.1 Speech Production 11.2 Problems with the Speech Signal 11.3 Speech Perception 11.4 Neural Mechanisms 11.5 Summary 11.6 Reading 12 MUSIC 12.1 What Is Music? 12.2 Melody 12.3 Harmony 12.4 Timing 12.5 Musical Scene Analysis 12.6 Culture and Experience 12.7 Why Does Music Exist? 12.8 Summary 12.9 Reading 13 HEARING IMPAIRMENT 13.1 What Is Hearing Impairment? 13.2 Types of Hearing Impairment 13.3 Cochlear Hearing Loss 13.4 Tinnitus and Hyperacusis 13.5 Diagnosis 13.6 Management Options 13.7 Summary 13.8 Reading 14 CONCLUDING REMARKS 14.1 In Praise of Diversity 14.2 What We Know 14.3 What We Don't Know Appendix: Researching the Ear A.1 Human Psychoacoustics A.2 Signal Detection Theory A.3 Human Electrophysiology A.4 Functional Magnetic Resonance Imaging A.5 Animal Physiology A.6 Animal Psychoacoustics A.7 Ethical Issues
650		0	_aHearing.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cSTS