| 000 | 01663nam a22001697a 4500 | ||
|---|---|---|---|
| 999 |
_c18312 _d18312 |
||
| 020 | _a9783030624286 | ||
| 082 | _a621.389 3 ASH | ||
| 100 | _aAshbourn, Julian | ||
| 245 |
_aAudio technology, music and media : _bfrom sound wave to reproduction / _cJulian Ashbourn |
||
| 260 |
_aSingapore : _bSpringer, _c142 p. |
||
| 300 | _a142 p. | ||
| 505 | _aIntroduction.- How the war changed audio.- The V record label for US troops.- Stereo sound, multi-channel sound, film sound and more.- The physics of sound.- The advent of tape and moving coil microphones.- The development of microphone techniques.- Multi-channel Tape recorders.- The advent of the Big Studios.- The record business.- The Maverick producers and freelance engineers.- The big time with 24 track everywhere and heaps of signal processing.- How the technology changed the music.- Classical music recording is effectively broken by the technology.- Digital arrives, but something is not right.- A to D and D to A convertors and compressors in the digital domain.- High resolution Digital recording and re-sampling.- Lossless compression.- The revolution in playback technology.- The social revolution in consumed music.- The change in musicians.- How to do things properly.- The use of Digital Audio Workstations and the impact on music.- Why recordings sound worse now than they did in the 50s and 60s.- Music and Civilisation and why it is important.- Where is the future archive for serious music being produced now.- Are advances in technology always good.- Teaching Audio Engineers.- The future.- Conclusion. | ||
| 650 | _aAudio technology | ||
| 650 | _aMusic | ||
| 650 | _aMedia | ||
| 942 | _cRFT | ||