02581cam a2200349 a 4500 4928 4928 16052084 OSt 20220309102017.0 co |g||||||||| 100113s2010 maua b 001 0 eng 2009052978 9780240812953 (alk. paper) 0240812956 (alk. paper) (OCoLC)ocn499129525 DLC DLC YDX YDXCP DLC TA365 .C678 2010 621.382 8 COR 23 Corey, Jason. Audio production and critical listening : technical ear training / Jason Corey. Burlington, MA : Focal Press, c2010. xv, 175 p. : ill. ; 25 cm. + 1 CD-ROM (4 3/4 in.) Includes bibliographical references and index. Introduction 1 Listening 1.1 Everyday Listening 1.2 What is Technical Ear Training? 1.3 What is Timbre? 1.4 Shaping Sounds 1.5 Sound Reproduction System Configurations 1.6 The Listening Environment 2 Spectral Balance and Equalization 2.1 Types of Filters and Equalizers 2.2 Practice 2.3 Exercises 3 Spatial Attributes 3.1 Time Delay 3.2 Reverberation 3.3 Delay and Comb Filtering 3.4 Reverberation in Multichannel Audio 3.5 Description of the Software Training Module 3.6 Mid-Side Matrixing, Stereo Shuffling, and Polarity Reversal 3.7 Summary 4 Dynamic Range and Levels 4.1 Level Changes 4.2 Compressors and Limiters 4.3 Expanders and Gates 5 Distortion and Noise 5.1 Clipping and Overdrive 5.2 Noise, Hum and Buzz 5.3 Quantization Distortion: Bit Rate Reduction 6 Amplitude Envelope 6.1 Digital Audio Editing: The Source-Destination Technique 6.2 Software Exercise Module 6.3 Focus of the Exercise 6.4 Conclusions 7 Analysis of Sound 7.1 Analysis of Sound from Electroacoustic Sources 7.2 Graphical Analysis of Sound 7.3 Multichannel Audio 7.4 Selecting Listening Material 7.5 Analysis Examples 7.6 Sound Enhancers on Media Players 7.7 Analysis of Sound from Acoustic Sources 7.8 Conclusions A About the software practice modules Bibliography Auditory perception. Listening. Ear training. Sound Recording and reproducing Evaluation. CD-ROM http://192.168.100.26/cdrom/223-17050.rar 7 cbc orignew 1 ecip 20 y-gencatlg ddc STS 0 0 ddc 0 0 108/3 AIISH AIISH 2019-12-23 0 621.382 8 COR 17050 2019-12-23 00:00:00 2019-12-23 STS