<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>01663nam a22001697a 4500</leader>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">18312</subfield>
    <subfield code="d">18312</subfield>
  </datafield>
  <datafield tag="020" ind1=" " ind2=" ">
    <subfield code="a">9783030624286</subfield>
  </datafield>
  <datafield tag="082" ind1=" " ind2=" ">
    <subfield code="a">621.389 3 ASH</subfield>
  </datafield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="a">Ashbourn, Julian</subfield>
  </datafield>
  <datafield tag="245" ind1=" " ind2=" ">
    <subfield code="a">Audio technology, music and media :</subfield>
    <subfield code="b">from sound wave to reproduction /</subfield>
    <subfield code="c">Julian Ashbourn</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="a">Singapore :</subfield>
    <subfield code="b">Springer, </subfield>
    <subfield code="c">142 p.</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">142 p.</subfield>
  </datafield>
  <datafield tag="505" ind1=" " ind2=" ">
    <subfield code="a">Introduction.- How the war changed audio.- The V record label for US troops.- Stereo sound, multi-channel sound, film sound and more.- The physics of sound.- The advent of tape and moving coil microphones.- The development of microphone techniques.- Multi-channel Tape recorders.- The advent of the Big Studios.- The record business.- The Maverick producers and freelance engineers.- The big time with 24 track everywhere and heaps of signal processing.- How the technology changed the music.- Classical music recording is effectively broken by the technology.- Digital arrives, but something is not right.- A to D and D to A convertors and compressors in the digital domain.- High resolution Digital recording and re-sampling.- Lossless compression.- The revolution in playback technology.- The social revolution in consumed music.- The change in musicians.- How to do things properly.- The use of Digital Audio Workstations and the impact on music.- Why recordings sound worse now than they did in the 50s and 60s.- Music and Civilisation and why it is important.- Where is the future archive for serious music being produced now.- Are advances in technology always good.- Teaching Audio Engineers.- The future.- Conclusion.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2=" ">
    <subfield code="a">Audio technology</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2=" ">
    <subfield code="a">Music</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2=" ">
    <subfield code="a">Media</subfield>
  </datafield>
  <datafield tag="942" ind1=" " ind2=" ">
    <subfield code="c">RFT</subfield>
  </datafield>
  <datafield tag="952" ind1=" " ind2=" ">
    <subfield code="0">0</subfield>
    <subfield code="1">0</subfield>
    <subfield code="4">0</subfield>
    <subfield code="7">0</subfield>
    <subfield code="8">R-65/3</subfield>
    <subfield code="a">AIISH</subfield>
    <subfield code="b">AIISH</subfield>
    <subfield code="d">2021-11-10</subfield>
    <subfield code="l">0</subfield>
    <subfield code="o">621.389 3 ASH</subfield>
    <subfield code="p">22895</subfield>
    <subfield code="r">2021-11-10 00:00:00</subfield>
    <subfield code="w">2021-11-10</subfield>
    <subfield code="y">RFT</subfield>
  </datafield>
</record>
