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  <titleInfo>
    <title>Cross-training in the voice studio</title>
    <subTitle>a balancing act</subTitle>
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  <name type="personal">
    <namePart>Spivey, Norman</namePart>
    <role>
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  <name type="personal">
    <namePart>Saunders-Barton, Mary</namePart>
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  <name type="personal">
    <namePart>Uhre, Mark</namePart>
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    <dateIssued encoding="marc">2018</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>xii, 151 pages : illustrations, music ; 23 cm</extent>
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  <tableOfContents>Chapter 1: How Did We Come to This? Chapter 2:The Balancing Act of Registration and Resonance. Chapter 3: Repertoire: How the Styles Serve Each Other. Chapter 4: Cross-Training vs. Crossover. Chapter 5: From the Ivory Tower to the Trenches. Chapter 6: It Takes a Village. Chapter 7:The Way Forward.</tableOfContents>
  <note type="statement of responsibility">Norman Spivey, Mary Saunders Barton ; illustrations by Mark Uhre.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Singing</topic>
    <topic>Instruction and study</topic>
  </subject>
  <classification authority="lcc">MT820 .S745 2018</classification>
  <classification authority="ddc" edition="23">616.855 606 SPI S</classification>
  <identifier type="isbn">9781635500370</identifier>
  <identifier type="isbn">1635500370</identifier>
  <identifier type="lccn">2018005894</identifier>
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