01322cam a2200301 i 450000100090000000300040000900500170001300800410003001000170007102000290008802000260011704000280014304200080017105000220017908200260020110000290022724501270025626400480038330000520043133600260048333700280050933800270053750400510056450503030061565000360091870000360095470000300099020386943OSt20200720112615.0180306s2018    cauag    b    001 0 eng    a  2018005894  a9781635500370qpaperback  a1635500370qpaperback  aDLCbengcDLCerdadDLC  apcc00aMT820b.S745 201800a616.855 606 SPI S2231 aSpivey, Norman,eauthor.10aCross-training in the voice studio :ba balancing act /cNorman Spivey, Mary Saunders Barton ; illustrations by Mark Uhre. 1aSan Diego, CA :bPlural Publishing,c[2018]  axii, 151 pages :billustrations, music ;c23 cm  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes bibliographical references and index.  aChapter 1: How Did We Come to This? Chapter 2:The Balancing Act of Registration and Resonance. Chapter 3: Repertoire: How the Styles Serve Each Other. Chapter 4: Cross-Training vs. Crossover. Chapter 5: From the Ivory Tower to the Trenches. Chapter 6: It Takes a Village. Chapter 7:The Way Forward. 0aSingingxInstruction and study.1 aSaunders-Barton, Mary,eauthor.1 aUhre, Mark,eillustrator.