The sense of hearing / (Record no. 3347)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03909cam a22003498i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 20337171 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200211101318.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 180202s2018 enk b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2018004726 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138632585 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Language of cataloging | eng |
| Description conventions | rda |
| Transcribing agency | DLC |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | BF251 |
| Item number | .P57 2018 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 612.85 PLA |
| Edition number | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Plack, Christopher J., |
| Relator term | author. |
| 245 14 - TITLE STATEMENT | |
| Title | The sense of hearing / |
| Statement of responsibility, etc. | Christopher J. Plack. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | Third edition. |
| 263 ## - PROJECTED PUBLICATION DATE | |
| Projected publication date | 1807 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Abingdon, Oxon ; |
| -- | New York, NY : |
| Name of producer, publisher, distributor, manufacturer | Routledge, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2018. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 329 pages ; |
| Other physical details | 23 cm |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | unmediated |
| Media type code | n |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | volume |
| Carrier type code | nc |
| Source | rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | INTRODUCTION<br/><br/><br/>1.1 Why Study Hearing?<br/><br/><br/>1.2 About This Book<br/><br/><br/>2 THE NATURE OF SOUND<br/><br/><br/>2.1 What Is Sound?<br/><br/><br/>2.2 A Tone for Your Sins<br/><br/><br/>2.3 The Spectrum<br/><br/><br/>2.4 Complex Tones and Noise<br/><br/><br/>2.5 Modulated Waveforms<br/><br/><br/>2.6 Summary<br/><br/><br/>2.7 Reading<br/><br/><br/>3 PRODUCTION, PROPAGATION, AND PROCESSING<br/><br/><br/>3.1 Sound Sources and Resonance<br/><br/><br/>3.2 Propagation<br/><br/><br/>3.3 Signal Processing<br/><br/><br/>3.4 Digital Signals<br/><br/><br/>3.5 Summary<br/><br/><br/>3.6 Reading<br/><br/><br/>4 A JOURNEY THROUGH THE AUDITORY SYSTEM<br/><br/><br/>4.1 From Air to Ear<br/><br/><br/>4.2 The Cochlea<br/><br/><br/>4.3 Transduction<br/><br/><br/>4.4 The Auditory Nerve<br/><br/><br/>4.5 From Ear to Brain (and Back)<br/><br/><br/>4.6 Summary<br/><br/><br/>4.7 Reading<br/><br/><br/>5 FREQUENCY SELECTIVITY<br/><br/><br/>5.1 The Importance of Frequency Selectivity<br/><br/><br/>5.2 Frequency Selectivity on the Basilar Membrane<br/><br/><br/>5.3 Neural Frequency Selectivity<br/><br/><br/>5.4 Psychophysical Measurements<br/><br/><br/>5.5 Summary<br/><br/><br/>5.6 Reading<br/><br/><br/>6 LOUDNESS AND INTENSITY CODING<br/><br/><br/>6.1 The Dynamic Range of Hearing<br/><br/><br/>6.2 Loudness<br/><br/><br/>6.3 How Is Sound Intensity Represented in the Auditory Nervous System?<br/><br/><br/>6.4 Comparisons Across Frequency and Across Time<br/><br/><br/>6.5 Summary<br/><br/><br/>6.6 Reading<br/><br/><br/>7 PITCH AND PERIODICITY CODING<br/><br/><br/>7.1 Pitch<br/><br/><br/>7.2 How Is Periodicity Represented?<br/><br/><br/>7.3 How Is Periodicity Extracted?<br/><br/><br/>7.4 Summary<br/><br/><br/>7.5 Reading<br/><br/><br/>8 HEARING OVER TIME<br/><br/><br/>8.1 Temporal Resolution<br/><br/><br/>8.2 The Perception of Modulation<br/><br/><br/>8.3 Combining Information Over Time<br/><br/><br/>8.4 Summary<br/><br/><br/>8.5 Reading<br/><br/><br/>9 SPATIAL HEARING<br/><br/><br/>9.1 Using Two Ears<br/><br/><br/>9.2 Escape from the Cone of Confusion<br/><br/><br/>9.3 Judging Distance<br/><br/><br/>9.4 Reflections and the Perception of Space<br/><br/><br/>9.5 Summary<br/><br/><br/>9.6 Reading<br/><br/><br/>10 THE AUDITORY SCENE<br/><br/><br/>10.1 Principles of Perceptual Organization<br/><br/><br/>10.2 Simultaneous Grouping<br/><br/><br/>10.3 Sequential Grouping<br/><br/><br/>10.4 Summary<br/><br/><br/>10.5 Reading<br/><br/><br/>11 SPEECH<br/><br/><br/>11.1 Speech Production<br/><br/><br/>11.2 Problems with the Speech Signal<br/><br/><br/>11.3 Speech Perception<br/><br/><br/>11.4 Neural Mechanisms<br/><br/><br/>11.5 Summary<br/><br/><br/>11.6 Reading<br/><br/><br/>12 MUSIC<br/><br/><br/>12.1 What Is Music?<br/><br/><br/>12.2 Melody<br/><br/><br/>12.3 Harmony<br/><br/><br/>12.4 Timing<br/><br/><br/>12.5 Musical Scene Analysis<br/><br/><br/>12.6 Culture and Experience<br/><br/><br/>12.7 Why Does Music Exist?<br/><br/><br/>12.8 Summary<br/><br/><br/>12.9 Reading<br/><br/><br/>13 HEARING IMPAIRMENT<br/><br/><br/>13.1 What Is Hearing Impairment?<br/><br/><br/>13.2 Types of Hearing Impairment<br/><br/><br/>13.3 Cochlear Hearing Loss<br/><br/><br/>13.4 Tinnitus and Hyperacusis<br/><br/><br/>13.5 Diagnosis<br/><br/><br/>13.6 Management Options<br/><br/><br/>13.7 Summary<br/><br/><br/>13.8 Reading<br/><br/><br/>14 CONCLUDING REMARKS<br/><br/><br/>14.1 In Praise of Diversity<br/><br/><br/>14.2 What We Know<br/><br/><br/>14.3 What We Don't Know<br/><br/><br/>Appendix: Researching the Ear<br/><br/><br/>A.1 Human Psychoacoustics<br/><br/><br/>A.2 Signal Detection Theory<br/><br/><br/>A.3 Human Electrophysiology<br/><br/><br/>A.4 Functional Magnetic Resonance Imaging<br/><br/><br/>A.5 Animal Physiology<br/><br/><br/>A.6 Animal Psychoacoustics<br/><br/><br/>A.7 Ethical Issues |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Hearing. |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | orignew |
| d | 1 |
| e | ecip |
| f | 20 |
| g | y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Koha item type | Stack text books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Date last checked out | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | 52/2 | All India Institute of Speech and Hearing | All India Institute of Speech and Hearing | 04/10/2019 | 3 | 612.85 PLA;1 | 22216 | 13/03/2024 | 02/03/2024 | 04/10/2019 | Stack text books | ||||
| Dewey Decimal Classification | R-27/4 | All India Institute of Speech and Hearing | All India Institute of Speech and Hearing | 11/02/2020 | 612.85 PLA | 22215 | 11/02/2020 | 11/02/2020 | Reference text books |